The Beat Generation di Loredana Di Francesco

Definitions of Beat, Beat Generation and Beatniks

definitions of beat

As Fernanda Pivano said in her introductory essay to “On the Road”(Mondadori, 1974), the word beat was used for the first time in Chicago by Herbert Huncke (a thief and drug-addict friend of  William Burrough’s), and then  it was taken up by Ginsberg and Kerouac, who later claimed the primacy of having used the expression “ Beat Generation [I1] [F1] [ES1][E2] ”. The first historian of “the Beat style of life”, though, was John Clellon Holmes, who wrote an article by the title “This is the Beat Generation” (published on The New York Times of Nov. 16, 1952). In this article he wrote:
 “[..] Everyone who has lived through war, any sort of war, knows that beat means, not so much weariness, as rawness of the nerves; not so much being ‘filled up to here’ as being emptied out.It describes a state of mind from which all unessentials have been stripped, leaving it receptive to everything around it, but impatient with trivial obstructions. To be beat is to be at the bottom of your personality, looking up; to be existential in the Kierkegaard [F1] rather than the Jean Paul Sartre sense […]”.

As Kerouac himself is reported to have said (in the Introduction to“On the Road”, Mondadori, 1974): “[In the jargon of Afro-Americans,] the word beat originally meant poor, down and out, dead-beat, on the bum, sad, sleeping in subways.[…] now Beat Generation has simply become the slogan for a revolution in manners in America[…]. But yet, but yet, woe to those who think that the Beat Generation means crime, delinquency, immorality, amorality... woe unto those who don't realize that America must, will, is, changing now, for the better I say[...]".
Kerouac described his own and his friends' attitude to Post-World War II American society as "a sort of furtiveness...a weariness with all forms, all the conventions of the world [...]."

So, the word  beat  had different connotations: it meant "tired", "dissatisfied", "defeated", and it also suggested the idea of living to the quick rhythm of jazz music.

The "Beatniks" were a group of  young people who reacted against the way they saw society : they felt controlled,  dissatisfied with the passive acceptance of heartless competitivity  in all  kinds of activities  and  with the spread of capitalism and  puritanical standard middle-class values, which they described as  "square". They acted on first impulse, did whatever they felt like doing, explored sexuality, pushed their senses to the limits; they used to take hallucinogenic drugs (LSD, for example) and alcohol to expand their world and sensations. They attracted attention because they were different, disregarding the conventions of  dress and personal cleanliness: they used to wear their hair long, they grew beards; old T-shirts and sandals were their uniform. They contributed to the creation of a so-called "underground culture", which included jazz music (appreciated because of its spontaneous flow and freedom of expression), poetry and the oriental philosophy of Zen Buddhism .

The first to use the term "beatnik" (a nickname that wasn't appreciated at all by the people it portrayed), seems to be a  San Franciscan journalist, Herb Caen: in the autumn of '57, On the Road was published and in that same period the Soviet Union launched the artificial satellite "Sputnik I" : from Caen's association of ideas came "beatnik", a word  made up of  beat- plus the Yiddish [I1] diminutive suffix -ik.

   2/13   

Approfondimenti/commenti:

    Nessuna voce inserita

Inserisci approfondimento/commento

Indice percorso Edita
Edurete.org Roberto Trinchero